• Top Five WWII Movies

    June 2, 2017 // 27 Comments »

    War is Over!

    My latest book, Hooper’s War, is set in WWII Japan, and portrays the horrors of war from the rotating perspectives of an American solider, a Japanese soldier, and a Japanese woman civilian.

    With that setting in mind, here are my top five favorite World War II movies.

    1) Saving Private Ryan

    Is there anyone’s Top Movie List, never mind one of WWII films, that doesn’t include Saving Private Ryan? I’m a big fan of war films that bring massive-scale events down to human scale, and none do that better than Ryan. The largest amphibious invasion in human history? Sure, there are a few panoramic shots, but the images we remember are of Tom Hanks and Tom Berenger struggling to get their men off that beach. WWII as a crusade to save Europe? Noted, but how about a couple of hours of a crusade to save one man?

    Ryan gives you the all-star cast, the production values and realism, the struggle to maintain one’s humanity in the face of horror, and the split-seconds of terror surrounded by hours of boredom. I’ll just say it — no one will ever make a better war movie than this.

    2) The Best Years of Our Lives

    When I first saw The Best Years of Our Lives and learned it was made in 1946, and then learned it won an Academy Award for Best Picture, I knew I was watching a profoundly subversive film that had somehow slipped into the mainstream.

    The story follows Fred, Al, and Homer, three couldn’t-be-more-different at first glance World War II veterans coming home to find that things were not going to be as easy as they thought. The war had changed them, and changed the America they left. The slick Fred is a war hero honored for his service while ignored by employers. Wealthy bank executive Al realizes his desire to help vets with loans conflicts with the profit motives of his bank now that the war is over. Homer, who lost both hands in the Pacific, learns he will not fit in, and that his courage is no longer seen as worth much removed from combat.

    The men learn the lesson following “The Good War” that too many think was unique to the post-Vietnam years: that despite some happy talk and the occasional free drink, society could care less about its warriors once the fighting is over.

    3) Grave of the Fireflies

    Few movies focus on civilians as much more than targets or victims, often showing them as little more than ants scurrying under falling bombs, or villagers accidentally killed, a dramatic plot device to bring on the hero’s angst in Act II before redemption in Act III.

    Grave of the Fireflies is an animated feature from Japanese geniuses Studio Ghibli (My Neighbor Totoro and others.) The film is a hauntingly beautiful portrayal of the home front in Japan. It follows two young Japanese children in last days of World War II, with a focus on the numbing hunger that plagued Japan alongside daily firebombing raids conducted by the United States against civilian targets. There are no happy endings in this movie as it reveals the desperate acts people can be forced into to survive in wartime.

    4) Patton

    Every list of great WWII movies has got to have one real sh*tkicker. Mine could have been Bridge at Remagen, Battle of the Bulge, Kelley’s Heroes, Von Ryan’s Express, The Longest Day… you get the idea.

    But Patton comes out on top for its sweeping battle scenes — so that’s what a massive tank battle criss-crossing Northern Africa would have looked like — as well as its sharp portrayal of the kind of men America wants to fight its wars, but then acts embarrassed around as the fighting starts to fade. Patton was the perfect man in the right place to help win the war in Europe, but as victory became more and more understood, his crude manners and obvious affection for killing turn into something America wanted shut away, at least until the next conflict. A film that begins on the grandest scale (that opening speech in front of the flag!) and ends more than bittersweet.

    5) Sophie’s Choice

    I get one controversial choice, right?

    Though only a short portion of Sophie’s Choice takes place in WWII proper, the entire film is a lovingly detailed metaphor for the horror of war, the suffering its survivors cannot end until they do, and the delicate compassion without understanding well-meaning people try to bring to war’s victims. The naive main character Stingo, thinking he can understand what has happened to Sophie and her children inside the concentration camps, seems a stand-in for a post-war America far removed from the killing fields of Europe and the Pacific. Not everyone destroyed by moral injury carried a weapon.

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    Posted in Hooper's War, Military